She is married. She loves her husband. Their days together are the kind of ordinary happiness that she desperately wants to protect. But there is a man named Gō, and he has leverage. He holds a video, and he uses it to force her into a corner, demanding more and more. What begins as coercion slowly becomes something more.
The condition for deleting the video is one final meeting — a hotel room. She tells herself she is doing this for her marriage. To restore the peaceful days with the husband she cherishes. She tells herself this is the last time, that she has made her peace with it, that she can go through with it and walk away. But the story does not let her off so easily. What she believed was the end becomes something more complicated.
